This large-scale painting exemplifies Roberto Fabelo's exploration of the grotesque convergence between human and animal natures, a central theme in his 2012 exhibition No somos animales. Drawing from the artist's obsessive pursuit of zoomorphic alterations, the work depicts a hybrid figure that embodies the degradation of human essence into primal instincts, evoking the servility, abjection, and brutality observed in contemporary Cuban society. As articulated in critical reflections on Fabelo's oeuvre, such forms serve as a synthetic and connotative warning, illustrating the loss of values and the exaltation of frenzy where moral and intellectual genes undergo mutation. The composition confronts viewers with a cry of repulsion and alarm, urging a ethical revision of the social body through its hallucinatory expression built between daydream and wakefulness.