Carlos Quintana Cuba, b. 1966
150 x 150 cm
The disproportion is structural rather than symbolic. The head has expanded beyond the limits of the body, as if prolonged pressure has produced a form of consciousness that exceeds the physical and historical conditions meant to contain it. The falcon retains its elegance and latent threat, yet its authority has been interrupted. It no longer dictates the terms of the encounter. Quintana does not present this reversal as resolution or victory. He presents it as a new, unstable equilibrium in which the former prey has developed the capacity to hold the former predator in place.
In this dark square, the work examines what happens when endurance ceases to be passive. The rabbit does not escape or overcome. It simply refuses to remain the object of pursuit. The falcon, still dangerous, must now negotiate its presence on a surface it cannot fully dominate. Quintana offers neither hope nor lament. He records the moment in which the hunted acquires a face large enough to meet the hunter without looking away, and in doing so, alters the conditions under which power can continue to operate.
Exhibitions
“Introspective,” Salomon Arts Gallery, New York, New York, United States, October 2–7, 2022 (Included recent large-scale figurative paintings by Quintana from 2021–2022.)
“Mercedes,” Zapata Gallery, Coral Gables (Miami), Florida, United States, December 1, 2024 – early 2025 (Solo exhibition featuring new works from 2022–2024, including this painting.)