Santiago Rodriguez Olazabal Cuba, b. 1955
El Soñador Eficaz, 2009
Acrylic, charcoal, fabric collage, string on Linen
71 x 80 inches
180.3 x 203.2 cm
180.3 x 203.2 cm
Further images
In Santiago Rodríguez Olazábal's *El Soñador Eficaz* (2009), the reclining figure is depicted as deceased, embodying a profound spiritual transition where death marks the ultimate liberation and return to the...
In Santiago Rodríguez Olazábal's *El Soñador Eficaz* (2009), the reclining figure is depicted as deceased, embodying a profound spiritual transition where death marks the ultimate liberation and return to the ancestral realm of Ọ̀run in Ifá traditions, achieved through sacrificial surrender and effective dreaming as a pathway to divine wisdom.
The red flag protruding from the figure unequivocally signifies the attainment of this goal—symbolizing blood, victory, and the fulfillment of one's destined quest, as red in Yoruba cosmology often represents the vital debt paid to the Earth and the triumphant invocation of spirits. This mixed-media work, rooted in Olazábal's expertise as a babalawo and his Yoruba-inspired iconography, celebrates the dreamer's efficacy in bridging worlds, aligning with his broader explorations of fate, ritual, and cultural resilience in exhibitions like *ORÍ. El Òrìsà personal*.
The red flag protruding from the figure unequivocally signifies the attainment of this goal—symbolizing blood, victory, and the fulfillment of one's destined quest, as red in Yoruba cosmology often represents the vital debt paid to the Earth and the triumphant invocation of spirits. This mixed-media work, rooted in Olazábal's expertise as a babalawo and his Yoruba-inspired iconography, celebrates the dreamer's efficacy in bridging worlds, aligning with his broader explorations of fate, ritual, and cultural resilience in exhibitions like *ORÍ. El Òrìsà personal*.
Exhibitions
“The Caribbean: A Collector’s Point of View,” curated by Edouard Duval-Carrié, Pan American Art Projects, Miami, Florida, United States, May 28 – July 30, 2016.
“The African Caribbean: Santiago Olazabal | Manuel Mendive | David Boxer,” Pan American Art Projects, Miami, Florida, United States, April 16 – May 21, 2011.
“Uprooted/Transmigrations,” curated by Abelardo Mena, Pan American Art Projects, Miami, Florida, United States, May 23 – July 23, 2011.
Provenance
Santiago Olazabal Studio, Havana Cuba > Robert Borlenghi Private Collection1
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